Mention dans le Magazine radio In situ de la dernière journée de l'exposition et rencontre avec l'artiste Daniel Corbeil.
Dans cet épisode de Hiatus, les intervenants couvrent l'exposition de Émilie Serri présentée à la Galerie B-312 à l'automne 2024 ainsi que celles de Sonya Boyce à la Fondation Phi, de My-van Dam au Mai et de Michaëlle Sergile au Musée Mccord.
Danielle Cormier, Éphémérides, un compte-rendu d'exposition écrit par Lisanne Nadeau, à lire dans le numéro 138 de la revue Espace art actuel.
Manon De Pauw, Lueurs oniriques, une critique d'exposition rédigée par Maxence Croteau, à lire dans le numéro 126 du magazine Ciel variable.
La Grande manifestation pour les arts #1 a eu lieu devant les bureaux du ministère de la Culture et des Communications au centre-ville de Montréal, le jeudi 18 avril de 15h à 17h.Prochaine manifestation : 16 mai 2024
Les artistes et travailleurs de la culture appellent à une grande manifestation devant les bureaux du Ministre de la Culture, au 1435 rue de Bleury, le jeudi 18 avril à 15 h.
À l'émission du Magazine radio In situ :Entrevue avec zipertatou dans le cadre de l'exposition Grosse Terre Boule.
Read in Le Devoir: An article by Raphaël Ouellet on the mediocre salary conditions of employees in Quebec's artist-run centers.
By Catherine Lalonde: Denunciation of fragile salary conditions in artist-run centers by the Regroupement des centers d'artistes autogérés du Québec (RCAAQ).
Read in Le Devoir of december 2, by Nicolas Mavrikakis : L’objet rêvé chez Manon De Pauw et Stephen Schofield
Galerie B-312 will be closed from July 8 to August 21. The whole team wishes you a wonderful summer!
Read in n°271 of Vie des arts : a nice article by Laurence Pelletier on Mathieu Grenier's practice.
To read in issue108 of the esse magazine, a review by Dominique Sirois-Rouleau on the exhibition Bleu somnolence: 33%, by Mathieu Grenier at gallery B-312 :esse
Read in Ciel variable n°125 : Sara A.Tremblay : Poids, plumes
An article published in issue 268 of Vie des arts by Guillaume Adjutor Provost on the exhibition of Maude Arès and Massimo Guerrera, Provoquer | États Fluides : Entre la dureté du faire et la délicatesse des fards à joues.
To read Online in Vie des arts magazine:The Pursuit of Care in Managing Archives: Celebrating the Thirtieth Anniversary of Galerie B-312An article by Vania Djelani on Maude Arès & Massimo Guerrera's exhibition at Galerie B-312 from January 20 to March 12, 2022.
Gallery B-312 will be closed from July 8 for a summer break. Join us on September 9 for the opening of the Marie-Eve Beaulieu and Martin Désilets exhibitions.
To read in the number 105 of Esse magazine :A review by Julie Faubert about the exhibition of Maude Arès & Massimo Guerrera at the Gallery B-312 from 20th of January to 12th of Mars 2022.
The artist Paméla Landry is the first winner of the Prix Pauline-Desautels, awarded by Circa art actuel. The Accalmir exhibition, which she presented at Galerie B-312 from March 26 to May first, 2021, gave her this recognition.
To mark the 30th anniversary of B-312, which she co-founded, Marthe Carrier, assisted by collaborators, had reproduced the former space of the gallery when it was in third floor of Belgo building, local 312. Then they placed this reproduction in the main room of the actual space, 403. The white 1/2 scale reproduction, takes up virtually all the space...
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Read the excerpt of Emmanuelle Choquette's review on the exhibition Synonymes by Catherine Bodmer published in Ciel variable 119.
A beautiful article by Marie-Ève Charron who examines the practice of artists Maude Arès and Massimo Guerrera, invited as part of the celebrations of the thirty years of our artists' center.
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La Presse invites you to see the exhibitions in the artist centers which are trying to increase the dynamism in the cultural sector during the pandemic.To see at Gallery B-312:États fluides : entre la dureté du faire et la délicatesse des fards à joues, by Maude Arès and Massimo Guerrera.
Jérôme Delgado's article published in Le Devoir on January 15 provides an overview of exhibitions in artist-run centres.