"Danseprophétiqueàl'îlebizarre is our very own Noah's Ark, signed March 23, 2024. A place to gather in case of emergency. A rich and fertile sculpture. Outside the center. A rendezvous, a movement, a vision of what we want. Of how we want to die or not. Above all, not tense. Like a cry of joy, let's start again."

Gary LaPointe Jr.'s drawings and sculptures combine with Clay Mahn's paintings question the value, construction and transformation of the frame as form and conceptual foundation. 

The migration of peoples is a recurring phenomenon in the history of humanity, whether by choice, by obligation, by necessity. What defines our territory? How does cultural heritage and identity affect who we are?

Clay Mahn's paintings and sculptures combine with Gary LaPointe Jr.'s drawings and transformed objets question the value, construction and transformation of the frame as a conceptual foundation as well as the languages and theories underline the concept of materiality.

The migration of peoples is a recurring phenomenon in the history of humanity, whether by choice, by obligation, by necessity. What defines our territory? How does cultural heritage and identity affect who we are?

Learn more about the artists from Montreal and Baltimore from La Track | The Track exhibition presented at Galerie B-312 until March 28, 2020. 

When the strange knock on the well-known door, it created perceptual and psychological discomfort. Involving itself cunningly, not to say sneaky, it causes awkwardness or fear. The artists reclaim a collective and symbolic basin to better invest it with a personal aesthetic.

Originally from China and based in Toronto for six years now, the curator Yan Zhou proposes Breathing, a search and creation project bringing together Chinese and Canadian artists. The project addresses environmental, political, economic and social concerns resulting from the smog phenomenon.

In partnership with Tour de Bras, Galerie B-312 is pleased to host the Baie Vitrée event, a sporadic series of improvised music and sound art programmed by musicians Philippe Lauzier and Éric Normand.

If Caroline Mauxion's visual though regularly emanates from literature, this time, it's from her personal, sensitive and physical experiences that she apprehends her research on image’s materiality to enhance its physical and touch-sensitive sides.

The trompe-l’œil is nested in the time of emergence, the time where the surprise effect leads us to poetic contemplation. It is part of a bitter-sweet seduction strategy motivated by a double game of illusion and disillusionment, truth and falsehood. The exhibition Dans l’intimité du leurre presents installational, sculptural and pictorial works that play with the thresholds of sensory perception and outsmarts the senses. 

Liam Maloney photographed refugees living in a makeshift camp in Lebanon. At dusk, using their mobile phones, they communicate with their relatives in Syria. The artist captures moments of intimacy where images and text messages exchanged carry life, death, suffering and hope.

Liam Maloney photographed refugees living in a makeshift camp in Lebanon. At dusk, using their mobile phones, they communicate with their relatives in Syria. The artist captures moments of intimacy where images and text messages exchanged carry life, death, suffering and hope.