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Learn more about the artists exhibiting at Galerie B-312 as part of Conjuguer l'espace au temps | Composer.

In the second exhibition of this special program, Moridja Kitenge Banza, Marion Lessard and Vincent Routhier explore time as a material to think about and model.

It is with great pride that we unveil the Winter-Spring program of 2022: three special exhibitions, presented in quick succession, to highlight the 30th anniversary of our center. With unique creations conceived by artists invited to commit themselves to the questions related to space and time.

The trompe-l’œil is nested in the time of emergence, the time where the surprise effect leads us to poetic contemplation. It is part of a bitter-sweet seduction strategy motivated by a double game of illusion and disillusionment, truth and falsehood. The exhibition Dans l’intimité du leurre presents installational, sculptural and pictorial works that play with the thresholds of sensory perception and outsmarts the senses. 

eXcentrer's curators Marthe Carrier, Stéphanie Chabot, Emmanuelle Choquette and Émilie Granjon, directors of Galerie B-312, Skol, Arprim and Circa invite you to this singular event which takes place from September 2019 to May 2020 at the Galerie d'art Desjardins de Drummondville.

Galerie B-312 is thrilled to join forces with Momenta | Biennale de l'image to present the exhibition Maggie Groat + Jamie Ross: Living Entities. The artists explore the unique energy of objects, probing the connections between mind and body, image and object, life and death.

If Geneviève Rocher's photographic research is relatively new, the pictorial is always called upon. A posture, a double action, emphasizing the ambivalence of spaces and plans, posing a tension between the hand's and the gaze's work.  

Learn more about the artists exhibiting at Galerie B-312 as part of Gráfica Abierta exhibition. 

Curator Santiago Pérez Garci, director of the Museo Nacional de la Estampa (Mexico) join forces with Arprim, and Circa art actuel, with the complicity of Galerie B-312, to host a collective exhibition with nine Mexican artists. 

De l’un à l’autre–between windows and painting, between painting and their materiality, between their materiality and the selected tool – a sequence will be created. A complex visual experience made up of comings and goings between what is represented and what is physically present.

RYBN presents ADM8, a major project revolving around the stock market speculation. Designed with sophisticated algorithms, ADM8 interferes with the stock market by performing real-time automated speculative online transactions.

OPENING ON THURSDAY, FEBRUARY 19 AT 5:30 PM

Galerie B-312 celebrates twenty years of ambitious projects with Revus, an exhibition drawing its origin from the gallery's guest books. Five artists were invited to work from these twelve guest books. 

To mark the 20 years of Galerie B-312 differently, about twenty artists gather and offer us an unprecedented way to access and share art.Jusqu’à épuisement des stocks/While Supplies/Last is a collective project of contextual art on USB key.

Consisting of 27 works, this event highlights the dynamism and versatility of Galerie B-312, which has become, over time, a reference on the Montréal’s contemporary art scene. 

Jean-Philippe Roy is interested in notion of the sacred and the paradox of a sculpture embodying this idea. While the sacred suggests a universal communion aroud the divine idea, the sculpture remains anchored in the immediate. 

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.

Works gathered in Maps in Doubt exhibition are the result of a superposition or a juxtaposition of the rewriting journey of the two artists in different cities to deconstruct the spaces geography as we know it and use it. 

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.

Kathryn Ruppert-Dazai uses the basic material is anything and everything that can be woven, knitted, knotted, crocheted or sewn as well as wool, cotton, nylon, and recuperated materials such as: cardboard, paper, plastic, foil, dog hair or even gold.

Marie-Suzanne Désilets addresses the issue of emotional deprivation and their substitutes. Charbon et turbobecomes a pretext for the invention of a story, an intrigue where imagination and reality, phantasms and everyday life merge, raise the limits of the suggestive and decency.

Jacko Restikian's installation is made up of suspended baseless, fragile colums; the precarious stability of these structures supports nothing. It evokes part of history contemporary sculpture, minimalism in particular, of the specific object.

Every year, Galerie B-312 invites you to support the activities of the centre by acquiring a work of art. Thus, you directly support the dissemination, recognition and the impact of current artistic practices.

Through this exhibition's program, curators Ricardo Mbarak and Wadih Safieddine have focused on works that address the question of identity. The selection shows several positions of artists who privilege in their works criteria related to their environment.

Inspired by the world of the RISK board game, Éric Ladouceur, curator, conceived this exhibition project and invited the artists to participate in the utopian establishment of a new world order by using the Dymaxion world map.

As part of the Beyrouth-Montréal, Vue Double exchange project, Espace SD in Beirut presents an evening of videotapes by Quebec artists which explore and testify the richness of practices and issues related to video in Quebec.

Andrea Szilasi, Annie Martin, Carmen Ruschiensky and Karilee Fuglem rented an apartment, the time to work there and to present the result of the cohabitation of four artistic minds. This time they have chosen to turn their sensibility towards a place steeped in history.

Galerie B-312 opens its programming of the year 2004-2005 with the Aprenter l’île promenades urbaines, a series of events organized around the lunch of the artist’s book Aprenter l’île promenades urbaines- Montréal, vues singulières designed and published by Galerie B-312.

The exhibition makes us aware of the "way" with which art opens onto a world of fiction that can surprise us so much because it does not present the context of the physical, historical, social and cultural space-time in which we are immersed.

Gallery B-312 hosts in its main room Point de fusion , an exhibition of the latest work of photographer Sylvie Readman. The exhibition includes eleven photographs divided into five works.

Caritas is Latin for "high price", "expensive (of a thing)". But Caritas also means "high esteem", "love", "tenderness", "affection". This year again, almost 50 artists agreed to participate in the Caritas sales exhibition organized for the benefit of Gallery B-312.

Heterosexy is a catchword that combines the idea of heterogeneity with that of attractiveness. This evocation of "attractive heterogeneity" resonates a bit in contrast to the famous Freudian "disturbing strangeness" without being opposed to it.

Gallery B-312 proposed to invite a scientist to design an exhibition as a scientist. It had in mind this threefold question: how does the scientist's sensitivity intersect with that of the artist? How would the artist respond to the questions of an art-oriented scientist?