Hosted by Monique Régimbald-Zeiber, this panel is an opportunity to think the symbolism of wandering and discovering in a creation context. Starting from their respective residences, the artists of La Track | The Track will comment on their experiences.
As part of La Track | The Track project, four Montreal artists and two art collectives will be at Pigment Sauvage for in situ and off-site residencies, culminating in two group exhibitions at the Institute of Contemporary Art Baltimore in November 2019 and at Galerie B-312 in February 2020.
During the holiday season, Galerie B-312 is pleased to offer its space to two artists from Lyon, Caroline Saves and Benoît Vidal, in the context of the project Conversations Montréal | Lyon.
As part of his exhibition Faire la vague Jonathan Villeneuve hosts a talk on his works showcased at Galerie B-312 accompanied by expanding on his research.
Fruit of the exhibition without using it, and conceived in the same spirit as the first publication, L'AutreAuPortrait.Cahier gathers the intentions of the exhibition, the words of a conference on the face of the Other, and conversations presented in the form of a photographic essay.
The fruit of the exhibition without taking advantage of it, and conceived in the same spirit as the first publication, L'AutreAuPortrait.cahier brings together the intentions of the exhibition, the words of a conference on the face of the Other, and conversations presented in the form of a photographic essay.
As part of Martin Désilets's exhibition Les agglomérations, Galerie B-312 cordially invites you to take part, on Thursday, September 28, 2006, in a talk on art, in the presence of the artist and his guests, Micheline Cadieux and Monique Lévesque.
With this theatrical diptych, Olibrius opens a space between theatre and performance where, to serve Bataille's text, the actor first tests the resistance of his body in immobility; an immobility around which the whole event is structured.
Galerie B-312 is pleased to host a concert performance by Italian composers and instrumentalists Paolo Angeli, Mirko Sabatini, Vincenzo Vasi and Montreal sculptor Jean-Pierre Gauthier.
The Belgian lecturer Pierre Sterckx invites us to critically question the Surrealist movement, noting the "magnificent" failure of their revolutionary intentions.
Mathieu Beauséjour, Monique Lévesque and Daniel Poulin kindly accepted to talk about the effects that the figure of the virus has awakened in them from the place of their respective disciplines, artistic practice, psychoanalysis and computer science.
